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Edward David Anderson
Edward David Anderson is an American songwriter and rock & roll veteran who spent his formative years fronting the revered Midwest band, Backyard Tire Fire. Known for infectious melodies and memorable messages he penned 8 albums for the band and played countless shows across the US and Canada.
Since their hiatus in 2011 EDA has continued to write and tour as a solo artist. His delivery in the live setting is both dynamic and impactful showcasing a natural prowess on banjo, acoustic/cigar box guitars and foot percussion. He defines his sound as Black Dirt Music. “Songs about people and places, about life and love and loss. It’s roots music, cultivated in the fertile soil of the Midwest.”
His 2014 debut, Lies & Wishes (produced by Steve Berlin of Los Lobos) was lauded “a superb solo effort” by No Depression while David Dye (NPR World Cafe) praised his follow up Lower Alabama: The Loxley Sessions as “a wonderfully soulful record.”
With his recently released Chasing Butterflies (Black Dirt Records), EDA made the album that’s been on his mind for some time now. “I’ve always wanted to make a record in Muscle Shoals. But it needed to be the right batch of songs with the right people,” he recalls. Securing Jimmy Nutt as producer and enlisting local musicians yielded “a stunning collection of modern Americana” (Donald Teplyske of Fervor Coulee). From the hopeful opening lyric, “It’s a beautiful thing/when two people sing/in harmony,” to the haunting title track’s “There’s a restlessness I guess/I’m uneasy I confess,” EDA takes you on a vast & colorful musical journey. You get the feeling he’s lived these songs. That the sleepless nights, the long drives, and the never ending search fuel the fire that keeps Edward David Anderson out there Chasing Butterflies.
Over the past 10 years, Seth Walker has become recognized as one of the most revered modern roots artists in the United States; a three dimensional talent comprised by a gift for combining melody and lyric alongside a rich, Gospel-drenched, Southern-inflected voice with a true blue knack for getting around on the guitar. His latest studio album, Gotta Get Back, produced by Jano Rix of The Wood Brothers, is yet another masterwork that further expands upon this reputation.
Growing up on a commune in rural North Carolina, the son of classically trained musicians, Seth Walker played cello long before discovering the six-string in his 20s. When his introduction to the blues came via his Uncle Landon Walker, who was both a musician and disc jockey, his fate was forever sealed. Instantaneously, Seth was looking to artists like T-Bone Walker, Snooks Eaglin, and B.B. King as a wellspring of endless inspiration. The rest is history.
He’s released seven albums between 1997 and 2015; breaking into the Top 20 of the Americana charts and receiving praise from NPR, American Songwriter, No Depression and Blues Revue, among others.
In addition to extensive recording and songwriting pursuits, Seth is consistently touring and performing at venues and festivals around the world. Along with headline shows, he’s been invited to open for The Mavericks, The Wood Brothers, Raul Malo, Paul Thorn and Ruthie Foster, among others.
Seth Walker is currently splitting his time between New Orleans and New York City after previously residing in Austin and Nashville. He’s used those experiences wisely, soaking up the sounds and absorbing the musical lineage of these varied places. With a bluesman’s respect for roots and tradition, coupled with an appreciation for—and successful melding of—contemporary songwriting, Seth sublimely incorporates a range of styles with warmth and grace. Perhaps Country Standard Time said it best: “If you subscribe to the Big Tent theory of Americana, then Seth Walker –with his blend of blues, gospel, pop, R&B, rock, and a dash country—just might be your poster boy.”