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“…plaintive, mesmerizing…writes and performs with the skill of a folk-circuit veteran…” -Rolling Stone
A Montreal-born Grenadian-Canadian, Kaia Kater grew up between two worlds: her family’s deep ties to folk music and the years she spent soaking up Appalachian music in West Virginia. Her old-time banjo-picking skills, deft arrangements, and songwriting abilities have landed her in the spotlight in North America and the UK, garnering critical acclaim from outlets such as NPR, CBC Radio, Rolling Stone, BBC Music, and No Depression
Kaia started her career early, crafting her first EP Old Soul (2013) when she was just out of high school. Since then, she’s gone on to release two more albums, Sorrow Bound (2015) and Nine Pin (2016). Her second album wove between hard-hitting songs touching on social issues like the Black Lives Matter movement (“Rising Down”) and more personal narratives speaking to life and love in the digital age (“Saint Elizabeth”). Nine Pin won a Canadian Folk Music Award, a Stingray Rising Star Award and sent Kaia on an 18-month touring journey from Ireland to Iowa, including stops at The Kennedy Center, Hillside Festival and London’s O2 Shepherd’s Bush. For her third album, Grenades (October 2018, Folkways/acronym Records), she took a decidedly different direction, choosing to lean into a wider array of sounds and styles, in order to convey a wider array of emotions and topics, most notably her paternal ancestry.
“Where bluegrass meets Nina Simone” – The Guardian
“You want some authenticity in your folk music or bluegrass – I give you Kaia Kater.” -No Depression
“A star in the making…”
“…One of the most remarkable Canadian folk records in some time…Kater’s music is somehow ancient and brand new at the same time.”
-Tom Power, CBC Radio 2
“Sorrow Bound is a remarkably assured debut album which both honours tradition and declares Kater’s credentials as a distinctive, original artist.” Steve Hunt – fRoots Magazine(UK) – October 2015
Joybird is Chicago songwriter and fiddler/multi-instrumentalist Jess McIntosh. Backed by Chicago’s busiest traditional and improvisatory musicians, Jess writes songs informed by her background in social work and a deep understanding of American folk music. Dissatisfied by the limitations of a single genre, the band creates music that is “…at times playful, at times immersed in longing…fiercely hopeful and deeply communal.” -Abigail Zimmer (Author of girls their tongues).